Girl Who Sleeps with Books
There is an espresso maker where his books used to be
on the nightstand on that side of the bed
Gets me up at 5 so I can type out some trash,
Silence the monkey, try to clean out my head
There’s a novel and a notebook and some poetry too
On top of covers on the side where he slept
Room enough for all of it and me when I crash
The floor beneath it nearly always unswept
It’s not the life one dreams of but it must be what I chose
My boudoir companionship is fiction and prose
It’s really both as lovely and as lonesome as it looks
The nighttime spaces of a girl who sleeps with books
There is now another bookcase where his bureau once stood
Too many pairs of shoes line the wall
It’s good-sized room with no empty spaces
One would think that I don’t miss him at all
Rye
I remember gallery kisses
Disappearing glasses of rye
I’m just now reaching the point I can think of you and not cry
I keep a portable archive, secret exhibit on view
And in it I mix a potion with distilled visions of you
And I learn there’s no mixology so kind
The finest rye will always bring you to mind
When I taste that grain I find
Your memory won’t be far behind
The finest rye will bring you back to mind
I remember hiking in the Sierras
Getting high and watching South Park
Making dinner and watching the valley turn dark
Recall you with your camera, capturing gradations of light
Try to find you in that shuttered instant out of sight
And the drink I dream is comparably kind
Gentleman and a Scholar
He’s a gentleman and a scholar, a regular prince among men
He knows the works of Fats Waller, and can play you recordings of them
He likes to read Thucidides but doesn’t mock stupidities
He’s probably read Euripides as well
But he’s really not the type to read and tell
He’s a gentleman and a scholar, unfailingly kind and polite
Not a pompous know-it-aller, though I must say he’s usually right
He taught me how to drive a stick
without once acting like a prick
In general he just doesn’t tick me off
And that’s not a thing at which I tend to scoff
If there’s a way to see a thing he’ll find a dozen more
Always a perspective you had not thought of before
It’s not his intellect you love him for you’ll come to find
As much as all the stuff that doesn’t suck about his mind
Reconstruction
So you wanted out of here without delay
And you didn’t tell anybody who would try and make you stay
They say the effort took off half your face
Now with your remaining vision do you see a state of grace
Oh what made you pull the trigger
What made you miss your mark
What wrestling match took place between those angels in the dark?
I don’t know you but I know you love something
A person, place or thing, maybe a song
And it’s not for me to tell you whether that should be enough
I just hope you let it feed you ’til you’re strong
I’ve seen burnt buildings climb back to the sky
Structures with intact foundations marked for their demise
There’s more to absence than just empty space
More to your demolition than just vacant real estate
Parallel Plane
The memory of my foolishness is never far away
Like a masterpiece I’ve ruined yet kept hanging on display
You were beautiful and kind and of a caste I couldn’t see
For I was blind and seeking damage and you were too good to me
I was cruel, scare and stupid, cowardly and cold
Like a monster with a toy she’d break rather than hold
I ain’t asking for forgiveness, I can take the bed I made
Far from the parallel plane where I loved you right and stayed
I bet she’s beautiful and sweet, smart and funny too
I hope she does for you the things I never thought to do
I know you can’t be expected to care if I’m sorry now
It’s too late for my own love to reach you anyhow
Cracks
There’s a tear in your eye
And a soldier in your throat
What did you have to sell
To get into this boat?
There’s a storm in the paint
Raging all the way through
You’ve dropped anchor here
The maelstrom is you
From Larkspur to the Tenderloin
A journey that spans the realm of the coin
Distant as Marrakesh
Proximity of spirit and flesh
With angles so sharp and unkind
As to sever all you hold as true
You keep close to your heart
The cracks killing you
The possessed mandolin
Plays a dark melody
The room that you’re in
Gives up nothing for free
Black, orange and red
Colors of your bed
The canvass conveys
How well you hide the dread
Contortions
You made a lousy rubber man
You never chose it, it sure as hell was not the plan
Was the circus gig all you could land?
Or were you born into the freak show tent by the cotton candy stand?
So tired of contortions and the way they won’t suffice
You’ll put it all down on the longest odds and throw the dice
Your deepest muscle tissue screams for mercy from the strain
Of you trying to take on shapes you weren’t meant to attain
Ringmaster cracks his whip again
When you can’t hold the freakish pose dictated by his whim
Each one more punishing than the last
Each one the final proof you should kick his sadistic ass
You didn’t ask to be born
Didn’t come into this world requesting any kind of scorn
If you could would you walk away
If you knew right down the road there’d be another place to stay?
Disguise
Give me garments glittering in such a way
no one can see the cretin there concealed
cowering and shrinking from the cold hard light of day
but laboring to decorate the shield
If I can’t disappear permit me a disguise
Let it be constructed of the best textiles devised
So as to obscure the malformations I despise
And the shriveled freakish flesh of which they are comprised
When exposure looks just like a thousand knives
Whose blades are poised to ceaselessly inflict
The lacerations of an exodus of love
Disclosure rules are mercilessly strict
To That Extent
No one was spiteful or vindictive, no one lied
Shagged the nanny or the pool boy on the side
No one tried to kill the other with a kitchen implement
It was a good breakup, to that extent
I’m alone again and I know I’m the only one to blame
But I ain’t chasing down the Oxy with some liquid kind of lame
I ain’t face-down in the gutter, jumping from a ledge
Though my heart is broken like a politician’s pledge
I ain’t sticking pins in dolls that look like you
You didn’t tell all our friends that I’m an evil shrew
I didn’t insult your mama, you didn’t vandalize my car
It was a good breakup, at least so far
End of the Continent
The breakers shining big and beautiful
Will laugh unthinkingly and crush your skull
With scenery spectacular and ever ruinous
Love is cruel, it was ever thus
The shifting of the lithosphere
Will not tell you where you’re supposed to go from here
The instant it takes place
You’ll use to beg for grace
Tectonic plates care not what they displace
You didn’t ask for this seismic event
Tectonic motion is never misspent
The richter scale won’t show
The faultlines you now know
And you’re all alone
At the end of the continent
It’s too late to ask for it to be fair
When you’ve caused more suffering than your share
You never see in time
The cold unconscious crime
Of currents coming with your disrepair
Civic High
Bewitching as a young Liz Taylor in her underwear
This is where I wake up happy just to breathe the air
Too many charms to catalog
And i’m enchanted by the fog
Too say that I’m besotted is an understatement of affairs
You defy description yet I have to try
To capture all I love beneath your sky
From Land’s End down to the Mission
North Beach to Western Addition
San Francisco you’re nothing if not a civic high
You’re my favorite hedonistic playground of a place
Where the poets go to retox and refine their falls from grace
From the Gold Dust Lounge to Specs
Your bars are sexier than sex
You’ve intoxicated me in any case
And as if your scenic vistas didn’t suffice
And further virtues needed with which to entice
You’re the place where it’s okay
To feel transgender, bi or gay
Your progressiveness is infinitely nice